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Ander Lizaso BAI dining Chair

“
Bai dining chair combines a shell upholstered in Bute tweed with a cross legged natural finished beech structure. Its sensual shapes are reminiscent of classical scandinavian design icons with special attention to the subtly curved armrests. Launched at the Milan design week 2012, the prototype features a beech structure along with a fiberglass shell upholstered in Bute fabric.
“

Ander Lizaso BAI dining Chair

Bai dining chair combines a shell upholstered in Bute tweed with a cross legged natural finished beech structure. Its sensual shapes are reminiscent of classical scandinavian design icons with special attention to the subtly curved armrests.

Launched at the Milan design week 2012, the prototype features a beech structure along with a fiberglass shell
upholstered in Bute fabric.

Designer: Thomas Walde, Dipl. Designer FH
“In my thoughts I already live in a post fossil period. When we talk in the team about new ideas and products, the influence on our environment is an important issue. In my work I hunt for ideas which are of good value in this matter. The product should know the rules of nature.”
Thomas Walde is an industrial designer based in Aarau, Switzerland. He works self-employed in the fields of furniture and product design as a designer and as a consultant. Additionally he works as a Scientific Assistant at Master of Arts in Design, ZHdK.
Thomas Walde is co-founder of the design collective POSTFOSSIL.
see link < http://www.postfossil.ch/public/media/filer/2012/04/17/pf_shoes_books_and_a_bike_product_information_2012_en.pdf >

Designer: Thomas Walde, Dipl. Designer FH

“In my thoughts I already live in a post fossil period. When we talk in the team about new ideas and products, the influence on our environment is an important issue. In my work I hunt for ideas which are of good value in this matter. The product should know the rules of nature.”

Thomas Walde is an industrial designer based in Aarau, Switzerland. He works self-employed in the fields of furniture and product design as a designer and as a consultant. Additionally he works as a Scientific Assistant at Master of Arts in Design, ZHdK.

Thomas Walde is co-founder of the design collective POSTFOSSIL.

see link < http://www.postfossil.ch/public/media/filer/2012/04/17/pf_shoes_books_and_a_bike_product_information_2012_en.pdf >

Prying fingers off #coupling (Taken with Instagram at Prospect Park SW)

Prying fingers off #coupling (Taken with Instagram at Prospect Park SW)

Let it dry.  (Taken with Instagram at Prospect Park SW)

Let it dry. (Taken with Instagram at Prospect Park SW)

DIY Minimal Business Cards on the Go
link: http://mikeyburton.com/Computer-Arts-Projects
1) Fivestar Rubber Stamp
2) Stamp-Connection
3) Des Moines Stamp Manufacturing

&#8220;
Like many designers, I am drawn to all sorts of handmade printing processes. I find the imperfections of each is what makes them so intriguing, from the mottled textures created by letterpress, to the chalky quality of screen printing ink. I try to incorporate these textures into my work as an illustrator and designer because they add authentic character to work I do on the computer. People love getting a cool business card, but might love it more if they see the process of how it was made. For my card, my mind went to the idea of rubber stamps, however, there is not a convenient way to carry around a rubber stamp with an ink pad without making a big mess. I discussed this idea with my good friend Keith Berger, proprietor of link: Cranky Pressman. He told me about the Inspector Stamp, a small, metal, self-inking stamp that comes on a keychain. This seemed like such a cool outdated object, it was something I couldn&#8217;t pass up. For my business card, I sourced the largest stamp size I could find which was 3/4 inch.  While this size may seem like an incredibly small area to design in, I find it to be quite adequate. So often, we load tons of extraneous info onto our business cards, just because we have the space. Nowadays, such little info is needed on a card for someone to actually get ahold of you. A one-word twitter handle can be all that is needed. The &#8220;classic&#8221; business card is often a ritual simply to impress the reciever. The idea with my new card is that it does away with the usual pretentiousness. With this stamp, you are able to print your condensed snippet of info onto any substrate—a beer mat, someone else&#8217;s business card, a napkin, or even someone&#8217;s hand. After all, people are more likely to lose a business card in a drunken stupor, but less likely to lose their hand.
&#8220;
- Mikey Burton / Designy Illustration

DIY Minimal Business Cards on the Go

link: http://mikeyburton.com/Computer-Arts-Projects

1) Fivestar Rubber Stamp

2) Stamp-Connection

3) Des Moines Stamp Manufacturing

Like many designers, I am drawn to all sorts of handmade printing processes. I find the imperfections of each is what makes them so intriguing, from the mottled textures created by letterpress, to the chalky quality of screen printing ink. I try to incorporate these textures into my work as an illustrator and designer because they add authentic character to work I do on the computer.

People love getting a cool business card, but might love it more if they see the process of how it was made. For my card, my mind went to the idea of rubber stamps, however, there is not a convenient way to carry around a rubber stamp with an ink pad without making a big mess. I discussed this idea with my good friend Keith Berger, proprietor of link: Cranky Pressman. He told me about the Inspector Stamp, a small, metal, self-inking stamp that comes on a keychain. This seemed like such a cool outdated object, it was something I couldn’t pass up. For my business card, I sourced the largest stamp size I could find which was 3/4 inch.

While this size may seem like an incredibly small area to design in, I find it to be quite adequate. So often, we load tons of extraneous info onto our business cards, just because we have the space. Nowadays, such little info is needed on a card for someone to actually get ahold of you. A one-word twitter handle can be all that is needed.

The “classic” business card is often a ritual simply to impress the reciever. The idea with my new card is that it does away with the usual pretentiousness. With this stamp, you are able to print your condensed snippet of info onto any substrate—a beer mat, someone else’s business card, a napkin, or even someone’s hand. After all, people are more likely to lose a business card in a drunken stupor, but less likely to lose their hand.

- Mikey Burton / Designy Illustration

http://machineshoplighting.com/
handcrafted light fixtures from Machine Shop Lighting in Austin, Texas.

http://machineshoplighting.com/

handcrafted light fixtures from Machine Shop Lighting in Austin, Texas.

TS: Mars Instructions

http://www.theworldsbestever.com/2012/05/16/installation-view-tom-sachs-space-program-mars/

thank you theworldsbestever

This show needs to be seen in person, as the magnitude of the handcrafted objects is unbelievable. Recommended is attending one of the demonstrations (calendar after the jump) to really see the art in action. If you can’t make it though, these pics should suffice. On view at the Park Avenue Armory until June 17th, 2012.


DEMONSTRATIONS

THURSDAYS – May 24, May 31, June 7 – 8PM

Sachs and his studio team will conduct three, ninety-minute demonstrations of the SPACE PROGRAM: MARS ”Flight Plan.” During these events, civilian witnesses will observe the activation of complex sculptural systems, rituals, and narratives that comprise the mission to Mars.

SATURDAY – June 16 – 12PM

On June 16, 2012, Sachs and his studio team will conduct a real-time Endurance Demonstration of the SPACE PROGRAM: MARS Flight Plan. This singular event provides civilians the extraordinary opportunity to see SPACE PROGRAM: MARS in its entirety, as the team activates every single sculptural system, ritual, and narrative of the journey from Earth to Mars and back again.

The demonstration begins at 12 noon and continues well into the evening. Admission is available throughout the day, and civilians can come and go as they like. Access to the installation will be reserved to special viewing areas. Due to capacity limitations, civilians can anticipate a wait in line for entry, and reentry is not guaranteed. Admission and reentry will close at 11PM.

Tickets: $15 / $12 Students, Seniors, Park Avenue Armory and Creative Time members

ARTIST TALK: TOM SACHS

FRIDAY – June 1 – 7PM

Join Tom Sachs for an informal discussion with SPACE PROGRAM: MARS co-curators Anne Pasternak and Kristy Edmunds about his artistic process, collaborations, and the inspiration behind his ongoing SPACE PROGRAM project.

Tickets: $10 / $8 Students, Seniors, Park Avenue Armory and Creative Time members

BREAKFAST WITH NASA

SATURDAY – May 26 – 11AM

Adam Steltzner, the Phase Lead and Development Manager of Entry, Descent and Landing for the Mars Science Laboratory Project at NASA’s Jet Propulsion Laboratory (JPL), will join Tom Sachs in conversation about all things Mars.

SATURDAY – June 16 – 11AM

Join scientists Gregg Vane, Kevin Hand, and Tommaso Rivellini in a conversation about Mars exploration with Tom Sachs, moderated by writer Lawrence Weschler, in which Vane, Hand, and Rivellini will also share their experiences working in the NASA’s Jet Propulsion Laboratory (JPL).

Tickets: $10 / $8 Students, Seniors, Park Avenue Armory and Creative Time members

WEEKEND FAMILY PROGRAMMING: Life on Mars: Imagining the Incredible

SATURDAYS – June 2, 9 – 10AM
SUNDAY – June 3 – 10AM

Families with children are invited to join educational workshops led by members of the Armory Artist Corps during which they will be able to create their own personal journey to outer space in response to the installation. Art-making stations along the way will provide a souvenir of the journey. Recommended for families with children between the ages of 5 and 12.

$5 Materials fee per participant / FREE Park Avenue Armory and Creative Time members

Clamb &amp; Pixo by Shaw Kevin with Pablo Design

Clamb & Pixo by Shaw Kevin with Pablo Design

Adam’s Rib: Custom Wooden Water Craft

Work all night.

BRstep1B (Taken with Instagram at Prospect Park SW)

BRstep1B (Taken with Instagram at Prospect Park SW)

BRStep1a (Taken with Instagram at Prospect Park SW)

BRStep1a (Taken with Instagram at Prospect Park SW)

Tom Sachs, you are a baller!


&#8220;It Was an Amazing Collaboration&#8221;: Artist Tom Sachs Launches His Nike &#8220;Space Program&#8221; Capsule Collection

Tom Sachs, you are a baller!

“It Was an Amazing Collaboration”: Artist Tom Sachs Launches His Nike “Space Program” Capsule Collection

There is nothing worse than a sharp image with a fuzzy concept
– Ansel Adams
Ander Lizaso BAI dining Chair

&#8220;
Bai dining chair combines a shell upholstered in Bute tweed with a cross legged natural finished beech structure. Its sensual shapes are reminiscent of classical scandinavian design icons with special attention to the subtly curved armrests. Launched at the Milan design week 2012, the prototype features a beech structure along with a fiberglass shell upholstered in Bute fabric.
&#8220;

Ander Lizaso BAI dining Chair

Bai dining chair combines a shell upholstered in Bute tweed with a cross legged natural finished beech structure. Its sensual shapes are reminiscent of classical scandinavian design icons with special attention to the subtly curved armrests.

Launched at the Milan design week 2012, the prototype features a beech structure along with a fiberglass shell
upholstered in Bute fabric.

Designer: Thomas Walde, Dipl. Designer FH
“In my thoughts I already live in a post fossil period. When we talk in the team about new ideas and products, the influence on our environment is an important issue. In my work I hunt for ideas which are of good value in this matter. The product should know the rules of nature.&#8221;
Thomas Walde is an industrial designer based in Aarau, Switzerland. He works self-employed in the fields of furniture and product design as a designer and as a consultant. Additionally he works as a Scientific Assistant at Master of Arts in Design, ZHdK.
Thomas Walde is co-founder of the design collective POSTFOSSIL.
see link &lt; http://www.postfossil.ch/public/media/filer/2012/04/17/pf_shoes_books_and_a_bike_product_information_2012_en.pdf &gt;

Designer: Thomas Walde, Dipl. Designer FH

“In my thoughts I already live in a post fossil period. When we talk in the team about new ideas and products, the influence on our environment is an important issue. In my work I hunt for ideas which are of good value in this matter. The product should know the rules of nature.”

Thomas Walde is an industrial designer based in Aarau, Switzerland. He works self-employed in the fields of furniture and product design as a designer and as a consultant. Additionally he works as a Scientific Assistant at Master of Arts in Design, ZHdK.

Thomas Walde is co-founder of the design collective POSTFOSSIL.

see link < http://www.postfossil.ch/public/media/filer/2012/04/17/pf_shoes_books_and_a_bike_product_information_2012_en.pdf >

Prying fingers off #coupling (Taken with Instagram at Prospect Park SW)

Prying fingers off #coupling (Taken with Instagram at Prospect Park SW)

Let it dry.  (Taken with Instagram at Prospect Park SW)

Let it dry. (Taken with Instagram at Prospect Park SW)

DIY Minimal Business Cards on the Go
link: http://mikeyburton.com/Computer-Arts-Projects
1) Fivestar Rubber Stamp
2) Stamp-Connection
3) Des Moines Stamp Manufacturing

&#8220;
Like many designers, I am drawn to all sorts of handmade printing processes. I find the imperfections of each is what makes them so intriguing, from the mottled textures created by letterpress, to the chalky quality of screen printing ink. I try to incorporate these textures into my work as an illustrator and designer because they add authentic character to work I do on the computer. People love getting a cool business card, but might love it more if they see the process of how it was made. For my card, my mind went to the idea of rubber stamps, however, there is not a convenient way to carry around a rubber stamp with an ink pad without making a big mess. I discussed this idea with my good friend Keith Berger, proprietor of link: Cranky Pressman. He told me about the Inspector Stamp, a small, metal, self-inking stamp that comes on a keychain. This seemed like such a cool outdated object, it was something I couldn&#8217;t pass up. For my business card, I sourced the largest stamp size I could find which was 3/4 inch.  While this size may seem like an incredibly small area to design in, I find it to be quite adequate. So often, we load tons of extraneous info onto our business cards, just because we have the space. Nowadays, such little info is needed on a card for someone to actually get ahold of you. A one-word twitter handle can be all that is needed. The &#8220;classic&#8221; business card is often a ritual simply to impress the reciever. The idea with my new card is that it does away with the usual pretentiousness. With this stamp, you are able to print your condensed snippet of info onto any substrate—a beer mat, someone else&#8217;s business card, a napkin, or even someone&#8217;s hand. After all, people are more likely to lose a business card in a drunken stupor, but less likely to lose their hand.
&#8220;
- Mikey Burton / Designy Illustration

DIY Minimal Business Cards on the Go

link: http://mikeyburton.com/Computer-Arts-Projects

1) Fivestar Rubber Stamp

2) Stamp-Connection

3) Des Moines Stamp Manufacturing

Like many designers, I am drawn to all sorts of handmade printing processes. I find the imperfections of each is what makes them so intriguing, from the mottled textures created by letterpress, to the chalky quality of screen printing ink. I try to incorporate these textures into my work as an illustrator and designer because they add authentic character to work I do on the computer.

People love getting a cool business card, but might love it more if they see the process of how it was made. For my card, my mind went to the idea of rubber stamps, however, there is not a convenient way to carry around a rubber stamp with an ink pad without making a big mess. I discussed this idea with my good friend Keith Berger, proprietor of link: Cranky Pressman. He told me about the Inspector Stamp, a small, metal, self-inking stamp that comes on a keychain. This seemed like such a cool outdated object, it was something I couldn’t pass up. For my business card, I sourced the largest stamp size I could find which was 3/4 inch.

While this size may seem like an incredibly small area to design in, I find it to be quite adequate. So often, we load tons of extraneous info onto our business cards, just because we have the space. Nowadays, such little info is needed on a card for someone to actually get ahold of you. A one-word twitter handle can be all that is needed.

The “classic” business card is often a ritual simply to impress the reciever. The idea with my new card is that it does away with the usual pretentiousness. With this stamp, you are able to print your condensed snippet of info onto any substrate—a beer mat, someone else’s business card, a napkin, or even someone’s hand. After all, people are more likely to lose a business card in a drunken stupor, but less likely to lose their hand.

- Mikey Burton / Designy Illustration

http://machineshoplighting.com/
handcrafted light fixtures from Machine Shop Lighting in Austin, Texas.

http://machineshoplighting.com/

handcrafted light fixtures from Machine Shop Lighting in Austin, Texas.

TS: Mars Instructions

http://www.theworldsbestever.com/2012/05/16/installation-view-tom-sachs-space-program-mars/

thank you theworldsbestever

This show needs to be seen in person, as the magnitude of the handcrafted objects is unbelievable. Recommended is attending one of the demonstrations (calendar after the jump) to really see the art in action. If you can’t make it though, these pics should suffice. On view at the Park Avenue Armory until June 17th, 2012.


DEMONSTRATIONS

THURSDAYS – May 24, May 31, June 7 – 8PM

Sachs and his studio team will conduct three, ninety-minute demonstrations of the SPACE PROGRAM: MARS ”Flight Plan.” During these events, civilian witnesses will observe the activation of complex sculptural systems, rituals, and narratives that comprise the mission to Mars.

SATURDAY – June 16 – 12PM

On June 16, 2012, Sachs and his studio team will conduct a real-time Endurance Demonstration of the SPACE PROGRAM: MARS Flight Plan. This singular event provides civilians the extraordinary opportunity to see SPACE PROGRAM: MARS in its entirety, as the team activates every single sculptural system, ritual, and narrative of the journey from Earth to Mars and back again.

The demonstration begins at 12 noon and continues well into the evening. Admission is available throughout the day, and civilians can come and go as they like. Access to the installation will be reserved to special viewing areas. Due to capacity limitations, civilians can anticipate a wait in line for entry, and reentry is not guaranteed. Admission and reentry will close at 11PM.

Tickets: $15 / $12 Students, Seniors, Park Avenue Armory and Creative Time members

ARTIST TALK: TOM SACHS

FRIDAY – June 1 – 7PM

Join Tom Sachs for an informal discussion with SPACE PROGRAM: MARS co-curators Anne Pasternak and Kristy Edmunds about his artistic process, collaborations, and the inspiration behind his ongoing SPACE PROGRAM project.

Tickets: $10 / $8 Students, Seniors, Park Avenue Armory and Creative Time members

BREAKFAST WITH NASA

SATURDAY – May 26 – 11AM

Adam Steltzner, the Phase Lead and Development Manager of Entry, Descent and Landing for the Mars Science Laboratory Project at NASA’s Jet Propulsion Laboratory (JPL), will join Tom Sachs in conversation about all things Mars.

SATURDAY – June 16 – 11AM

Join scientists Gregg Vane, Kevin Hand, and Tommaso Rivellini in a conversation about Mars exploration with Tom Sachs, moderated by writer Lawrence Weschler, in which Vane, Hand, and Rivellini will also share their experiences working in the NASA’s Jet Propulsion Laboratory (JPL).

Tickets: $10 / $8 Students, Seniors, Park Avenue Armory and Creative Time members

WEEKEND FAMILY PROGRAMMING: Life on Mars: Imagining the Incredible

SATURDAYS – June 2, 9 – 10AM
SUNDAY – June 3 – 10AM

Families with children are invited to join educational workshops led by members of the Armory Artist Corps during which they will be able to create their own personal journey to outer space in response to the installation. Art-making stations along the way will provide a souvenir of the journey. Recommended for families with children between the ages of 5 and 12.

$5 Materials fee per participant / FREE Park Avenue Armory and Creative Time members

Clamb &amp; Pixo by Shaw Kevin with Pablo Design

Clamb & Pixo by Shaw Kevin with Pablo Design

Adam’s Rib: Custom Wooden Water Craft

Work all night.

BRstep1B (Taken with Instagram at Prospect Park SW)

BRstep1B (Taken with Instagram at Prospect Park SW)

BRStep1a (Taken with Instagram at Prospect Park SW)

BRStep1a (Taken with Instagram at Prospect Park SW)

Tom Sachs, you are a baller!


&#8220;It Was an Amazing Collaboration&#8221;: Artist Tom Sachs Launches His Nike &#8220;Space Program&#8221; Capsule Collection

Tom Sachs, you are a baller!

“It Was an Amazing Collaboration”: Artist Tom Sachs Launches His Nike “Space Program” Capsule Collection

There is nothing worse than a sharp image with a fuzzy concept
– Ansel Adams
TS: Mars Instructions
"There is nothing worse than a sharp image with a fuzzy concept"

About:

Current: New York NY
Previous: Knoxville TN, Masters of Architecture, University of Tennessee 08-11
Samford University, Bachelors in Mathematics in 04-08

Find me alanreece.us